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PROSPECT

PROSPECT is a 2018 American science fiction film starring Sophie Thatcher, Jay Duplass, and Pedro Pascal. The film is written and directed by Zeek Earl and Chris Caldwell. It premiered on March 5, 2018 at the 2018 South by Southwest Film Festival. The company Gunpowder and Sky, under their science fiction-oriented label Dust, released the film in Regal Cinemas theaters on November 2, 2018.

The feature film is an expanded version of a short film by Earl and Caldwell that premiered at the 2014 South by Southwest Film Festival.


Synopsis

A man and his teenage daughter travel to an alien moon with a contract to mine gems in the moon's poisonous forest. The daughter is forced to face other people in the forest, as well as her own father's greed.

Movie Trailers

"Prospect"_Trailer_HD_-_Pedro_Pascal,_Sophie_Thatcher,_Jay_Duplass_-_Now_Playing_In_Select_Theaters-0

"Prospect" Trailer HD - Pedro Pascal, Sophie Thatcher, Jay Duplass - Now Playing In Select Theaters-0

"Prospect"_OFFICIAL_Trailer_HD_(2018)_-_In_Theaters_Now

"Prospect" OFFICIAL Trailer HD (2018) - In Theaters Now

The World of PROSPECT

Zeek Earl and Chris Caldwell: "PROSPECT originated from a desire to make the kind of sci-fi we wanted to see. We wanted to create a rich and detailed original universe and explore it from the perspective of relative nobodies on the fringe of civilization. It’s not a projection of earth’s near future or a new technological paradigm, nor does the fate of the universe hang in the balance. Rather, the focus is on the people no one cares about who struggle just to forge a palatable existence. People who push into the treacherous frontiers of space, driven by economic desperation to put their lives on the line for a shot at changing the status quo.

This kind of expansive, fantastic world becomes the platform to tell a more intimate story, tethered to the experiences of one girl as we follow her strange, survival-induced coming of age. And we hope we've created a universe that feels deep and alive; a backdrop that feels incidental to the story, rather than purpose-built for it. Though the perspective is focused, we want the world to feel like it extends well beyond the edges of the film."[1]

References

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